The crude look to the cinematography was the result of the lack of funding, the damaged studio, and the circumstances. The typical complaints I have with Open City, poor narrative flow, stilted acting, no emotional appeal and slow pace all register with many of his other films as well. 9:42. This was widely considered the best foreign language film of the year, by which time director Roberto Rossellini had released the similarly acclaimed "Paisan" (1946). Francesco is not very religious, but rather would be married by a patriot priest than a fascist official; Pina, on the other hand, is devout, but wrestling with why God would allow such terrible things to happen to people. The funding from the elderly Roman lady was never enough, and the film was crudely shot due to circumstances and not for stylistic reasons. Rossellini and the City, a 2009 video essay by film scholar Mark Shiel (Italian Neorealism: Rebuilding the Cinematic City) on Rossellini’s use of the urban landscape in The War Trilogy; Interview from 2009 with film critic and Rossellini friend Father Virgilio Fantuzzi, who discusses the filmmaker and the role of religion in Rome Open City "Roberto Rossellini's Rome Open City." In the first win of the night for Roma, Alfonso Cuaron took the Oscar for Best Cinematography, becoming the first DP to score an Academy Award for a movie he also directed. Geiger had access to the film units at the Signal Corps that regularly threw away short-ends and complete rolls of film that might be fogged, scratched, or otherwise deemed unfit for use, and was able to obtain and deliver enough discarded stock to complete the picture.[4]. Roma città aperta (1945) aka Rome, Open City de Milango - Para la versión Rome.Open.City.1945.Criterion.1080p.BluRay.HEVC.AAC-SARTRE que pesa 4,53 gb y dura Rome, Open City Roma città aperta Roberto Rossellini Italy, 1945 Zac Weber's rating of the film Rome, Open City. No need to register, buy now! Rome, Open City 1945 ★★★★★ Watched Nov 07, 2020. 9:42. Rossellini wanted actor Aldo Fabrizi to play the priest in reenactments and contacted his friend Federico Fellini to help get in touch with Fabrizi. He goes to his friend Francesco's, and asks Pina, Fra… The title refers to Rome being declared an open city after 14 August 1943. As one of the first examples of Italian neo-realism, Open City is a perfect synergy of subject matter and aesthetic and technical choices. Rome, Open City owes part of its emotional power to its mixture of politico-religious symbolism and quotidian humor, which manages to be both vaudevillian in its depiction of the Chaplinesque proletariat and understated in the script’s witty dialogue and subtle dramatic irony. The local SS commander in the city, helped by the Italian police commissioner, suspects that Giorgio is at Francesco's apartment. Shot between January and June 1945, Roberto Rossellini's Rome, Open City, chronicles the effect of Nazi occupation on the people of Rome a year earlier. ROME, OPEN CITY is a landmark in film history. [3], New Yorker Rod E. Geiger, a soldier in the Signal Corps, who eventually became instrumental in the movie's global success, met Rosselini at a point when they were out of film. The physical quality of this film is off-putting,( the film makers had to use what they could find) but the overall impact is stunning. "[13], Pope Francis has said that the film is among his favorites. Some theoreticians and film historians (Bordwell, Thompson) would also include duration, or the length of the shot, but we discuss… Realizing that she was responsible for this, she passes out. Giorgio Manfredi, one of the leaders of the Resistance is tracked down by the Nazis. For one, the neo-realist style was not fully developed. Rome, Open City Movie Trailers - Here you can watch trailers, teasers, behind the scenes, full movie and shooting scenes of Rome, Open City and any other movie or TV series. But, when the Cineteca Nazionale restored the print in 1995, "the original negative consisted of just three different types of film: Ferrania C6 for all the outdoor scenes and the more sensitive Agfa Super Pan and Agfa Ultra Rapid for the interiors." Read Hello Italy! His elegant arrogance is a bit too vicious – but that may be easily understood. Nonetheless, the film did sweep the Cannes Film Festival and many others worldwide, and it has a number of touches that redeem its clichés, such as having Don Pietro's glasses be broken so that he can only hear, not see, Manfredi's slow death, or the literal killing of two lambs by the Nazis right before Marina betrays Manfredi, which, in its rendering is far more affecting than in its mere description. On the making of the film, Rossellini stated that the "situation of the moment guided by my own and the actors' moods and perspectives" dictated what they shot, and he relied more on improvisation than on a script. Most of the 'props' and 'sets' and even many of the Nazi soldiers were real. Kiev, just now. Rod E. Geiger, a U.S. Army private stationed in Rome, met Rossellini and Fellini after catching them tapping into the power supply used to illuminate the G.I. National Board of Review: Best Actress, Best Foreign Language Film. [16] In the book The Adventures of Roberto Rossellini, author Tag Gallagher credits Geiger at age 29 as the "man who more than any single individual was to make him and the new Italian cinema famous around the world". They then force Don Pietro to watch Giorgio's torture. Italian PM Conte seeks to stay in power with Senate vote. Zac Weber September 21, 2020 20:15. The devastation that was the result of the war surrounded them as they wrote the script. They conduct a huge raid, pulling out all the people and arresting dozens of men. Sort: Relevant Newest # roma # filmin # anna magnani # roberto rossellini # cine italiano clásico # rome # rome # rome # gladiator # rome # gladiators # ancient # johnwhye # europe # rome Cuaron shot his own film when frequent collaborator Emmanuel "Chivo" Lubezki wasn't available and tonight noted, "It's very well known that Billy Wilder had in his office a sign that said 'What would … Maria Michi in Roma città aperta (1945) People Maria Michi. Rome, Open City (Roma, città aperta) Early in Rome, Open City, a boy tells his priest, Don Pietro, that he doesn’t have time for catechism because of the war.Roberto Rossellini, Rome’s director, essentially spends the rest of the movie countering that assertion. Rome, Open City 1945 ★★★★½ . Metacritic Reviews. It is not only one of the initiators and masterpieces of Italian neorealism, but also a beautiful story of courage, rebellion against blind evil and faith. The Mausoleo of Augusto will open to the public on March 1, 2021. Made at the end of World War II, it has been credited with initiating a revolution in and reinvention of modern cinema, bold claims that are substantiated when its impact on how films are conceptualized, made, structured, theorized, circulated, and viewed is … But it cannot only be described by these external aesthetic features. The outstanding performance is that of Aldo Fabrizi as the priest, who embraces with dignity and humanity a most demanding part. Far-right, and neo-Nazis march to honour WWII Ukrainian Nazi Collaborators. Anna Magnani, one of the greatest performers in the history of Italian cinema, is absolutely amazing in this film. At that moment his intervention, at high financial risk, was aimed at continuing the work in an attempt to save his investment, as a real film producer would do. Rome, Open City (Italian: Roma città aperta) is a 1945 Italian neorealist drama film directed by Roberto Rossellini. The best GIFs are on GIPHY. | He wrote scripts according to their feelings and histories. Rome, Open City (1945) 9 of 48. The picture features Aldo Fabrizi, Anna Magnani and Marcello Pagliero, and is set in Rome during the Nazi occupation in 1944. This shattering portrait of Rome under the Nazi occupation officially ushered in the wave of neo-realist films after World War II. The cinematography in this movie is fantastic because Ubaldo Arata did an amazing job of capturing the feeling of neorealism. Cinematography is the act of capturing photographic images in space through the use of a number of controllable elements. News & Advice. Roberto Rossellini's first landmark of the Italian neorealism movement, set during the Nazi occupation of Rome and following the stories of a brave few who struggled against it Soak up ancient wonders and ambient culture aboard our Rome sightseeing tours. It was set and filmed in Italy in 1945 during the waning days of Nazi occupation. It should also be mentioned that in a brief scene, an Italian tot's naked bottom half (including genitalia) is shown, which both adds to the claims of realism, and satisfies the dramatic arc of the moment, highlighting how silly most censored scenes and moments in film are. New York: McGraw-Hill Education. Burgoyne, Robert. [He] misrepresented himself as an American producer when actually he 'was a nobody and didn't have a dime. [8] Rossellini himself traced what was called neorealism back to one of his earlier films The White Ship, which he claimed had the same style. Rome, Open City (1945) 47 of 48. Mark Kermode, Observer film … By then, the lady had agreed to finance an additional documentary about Roman children who had fought against the German occupiers. The only flaw is at the end, where actual facts are changed so that it appears that the Nazi general pulled the trigger on the priest, while it was not so (the Italian government imposed to the production to present it this way to prevent possible agitations). Open City is a landmark in film history. "Roma, citta aperta" is a film that cries for a Martin Scorsese to come to its aid in restoring it. In order to authentically portray the hardships and poverty of Roman people under the occupation, Rossellini hired mostly non-professional actors for the film, with a few exceptions of established stars including Fabrizi and Anna Magnani. So why is it that he occupies a leading position among Italian auteurs? It was one of the early Italian films of the war to depict the struggle against the Germans, unlike the films made in the early years of the war (when Italy was Germany's ally under Mussolini) that depicted the British, Americans, Greeks, Russians and other allied countries, as well as Ethiopians, communists, and partisans as the antagonists. [7] The film brought international attention to Italian cinema and is considered a quintessential example of neorealism in film, so much so that together with Paisà and Germania anno zero it is called Rossellini's "Neorealist Trilogy". On its initial release, Roberto Rossellini's 'Rome, Open City (1945)' was hailed for its harrowing documentary realism, sharing the 1946 Palme d'Or, and even today it is regarded as the type specimen of Italian neorealism, a movement that produced such treasures as 'The Bicycle Thief (1948)' and 'Umberto D. rome open city 31461 GIFs. [18], The film was banned in several countries. Nazi POW War Criminals Hunt, Norway, 06/1945 - 07/1945. De Sica was able to capture the incidental and indeterminate in a way that practically elevated it to the level of the holy. The son of a successful sculptor and architect, he travelled extensively … Like so many movies made during or shortly after WWII, this one reveals more about the circumstances of its creation than anything novel in the story line. Don Pietro still refuses to crack, so he is taken to be executed early the next morning before his parish can learn of his arrest and respond with a protest. "ROME OPEN CITY" is truly one of the most powerful movies ever made. The remaining cast is unqualifiedly fine, with the exception of Harry Feist in the role of the German commander. "[12] Film critic William Wolf especially praised the scene where Pina is shot, stating that "few scenes in cinema have the force of that in which Magnani, arms outstretched, races towards the camera to her death. I had friends who were captured and killed. Roma,Citta Aperta, directed by Roberto Rossellini,was based on a suggestion by Sergio Amidei on which Federico Fellini too lent a helping hand.The entire film has been shot from 2 perspectives :winning German side and losing Italian side.In this film there are no moral questions to be asked as everything is open to a powerful yet essentially subjective interpretation as both sides performed actions which are by and by normal in times of wars.On the one hand there are brave ordinary Italian people fighting against evil Nazi Germany with all their might,on the other hand there are coward Italians shamelessly collaborating with enemies of the nation to humiliate their own innocent brethren.It is true that Rossellini depicted wretchedness of war but he has also made a good presentation of basic things of our daily lives such as a marriage in times of war and black marketing. The film is a searing indictment of the Nazis and a powerful portrayal of the dignity and courage of the Italian Resistance fighters. Note : 5/5 Avis : Rossellini masterfully captures the city in turmoil with an incredible mix of sociopolitical documentation and riveting melodrama. Some Italian critics also maintained that neorealism was simply a continuation of earlier Italian films from the 1930s, such as those directed by filmmakers Francesco De Robertis and Alessandro Blasetti. The facilities at Cinecittà Studios were also unusable at that time due to unreliable electricity supply and poor quality film stock. Search, discover and share your favorite Rome Open City GIFs. Rossellini's Rome, Open City (1945) Spanish Subs. The story of the film's journey from Italy to the United States is recounted in Federico Fellini's autobiographical essay "Sweet Beginnings". Rossellini had met and befriended a wealthy, elderly lady in Rome who wanted to finance a documentary on Don Pieto Morosini, a Catholic priest who had been shot by the Germans for helping the partisan movement in Italy. Open City, a powerful Italian film directed by Roberto Rosselini in 1946, is a historically-based story of the Italian Resistance movement and its struggle against Nazi occupation. [4][16], However, According to Fellini's essay Geiger was "a 'half-drunk' soldier who stumbled (literally as well as figuratively) onto the set of Open City. Rome, Open City 1945 ★★★½ . Directed by Roberto Rossellini. Made at the end of World War II, it has been credited with initiating a revolution in and reinvention of modern cinema, bold claims that are substantiated when its impact on how films are conceptualized, made, structured, theorized, circulated, and viewed is examined. | Rome, Open City (Roma, città aperta) Early in Rome, Open City, a boy tells his priest, Don Pietro, that he doesn’t have time for catechism because of the war.Roberto Rossellini, Rome’s director, essentially spends the rest of the movie countering that assertion. Francesco makes it back into Rome and reconnects with Giorgio. ... Ubaldo Arata's gritty cinematography is simply remarkable and one of the "all-time" contributions to the art of filmmaking. Roberto Rossellini's Open City contains characters so real and emotions so powerful that it is not unusual for audiences to wonder whether the drama being played out on the screen is in truth a bona fide documentation of events surrounding the Italian Resistance during WWII. Open City or Rome, Open City (Italian: Roma città aperta) is a 1945 Italian neorealist drama film directed by Roberto Rossellini.The picture features Aldo Fabrizi, Anna Magnani and Marcello Pagliero, and is set in Rome during the Nazi occupation in 1944. Rome, 1944. Dmeili . I too had to go into hiding. David Zalasin’s review published on Letterboxd: For the love of god CLOSE THE CITY, CLOSE IT! I couldn't look away from the Last section of the First Part to the last section of the second. If action is your genre, stay away, but if you can handle a great story well told find a copy of this film. Regardless of its historic importance in the development of cinema, Open City is a difficult film to watch. The Gestapo chief and the collaborator decide that she is now useless to them and arrest her, taking away the fur coat they had given her as a bribe. Rome Open City - 9780851708041 - ATRIL - La Central - 2021. It builds slowly, taking time … dancehall. La Dolce Vita At The Internazionali BNL d'Italia The Internazionali BNL d’Italia features the best players at the Foro Italico in Rome. But life for Romans is still difficult with the Nazi occupation as there is a curfew, basic foods are rationed, and the Nazis are still searching for those working for the resistance and will go to … In its English subtitled release it was named Open City. The title refers to Rome being declared an open city after 14 August 1943. Marina and a German officer stumble into the scene while intoxicated; she faints when she sees that the Germans have tortured Giorgio to death rather than treat him well as she had been led to expect. Roma, also known as Fellini's Roma or Federico Fellini's Roma, is a 1972 semi-autobiographical comedy-drama film depicting director Federico Fellini's move from his native Rimini to Rome as a youth. '"[18] Fellini's account of Geiger's involvement in the film was the subject of an unsuccessful defamation lawsuit brought by Geiger against Fellini. Also, to use support from the textbook to support statements as well as using vocabulary from the text. Find where to watch Rome, Open City in Australia. He and his friends have a small role in the Resistance planting bombs. 0:05. . His film-making resources were limited, as is apparent in the film, since he uses natural lighting, non-professional actors and a delicate sound system) but it only gives the film a stark and more authentic look making the atmosphere more terrifying and a the experience more real. Acting. West Germany banned it from 1951 to 1960. Pina's senseless death is the best example, as she would truly have to be stupid to do such a thing in real life, with her son right there. Aldo Fabrizi in Roma città aperta (1945) People Aldo Fabrizi. The United States premiere followed on 25 February 1946 in New York. There are reasons for this. Marina betrays her former lover in exchange for drugs and a fur coat. Ubaldo Arata’s gritty cinematography is simply remarkable and one of the “all-time”… In Axis-controlled Rome, a strong-willed priest Aldo Fabrizi (as Pietro Pellegrini) plans to officiate the marriage of matronly and pregnant Anna Magnani (as Pina) while assisting a resistance leader Marcello Pagliero (as Giorgio Manfredi) hunted by the Nazis. The picture features Aldo Fabrizi, Anna Magnani and Marcello Pagliero, and is set in Rome … Rome, Open City received a mediocre reception from Italian audiences when it was first released when Italian people were said to want escapism after the war. With Pina's help (she is also part of the Resistance), Giorgio contacts Don Pietro Pellegrini, a Catholic priest who is helping the Resistance, and asks him to transfer messages and money to a group of Resistance fighters outside the city as Giorgio is now known to the Gestapo and cannot do it himself. the money advanced. Rome, Open City (1945) cast and crew credits, including actors, actresses, directors, writers and more. (2017). The landlady warns him in time of the Germans' arrival, so that he can elude them by jumping across the rooftops. After the Allied Invasion of Italy in 1943, Italian morale crumbled, and they agreed to a separate peace with the allies, causing their former German allies to occupy large parts of Italy, intern Italian soldiers, deport Italian Jews to concentration camps, and treat many of its citizens with disdain for what they saw as a cowardly betrayal by one of their major allies. "Roma Città Aperta" is between the most important movies in the history of Italian cinema. A positive review that explains the director's motives. Estando Roma ocupada por los nazis, la temible Gestapo trata de arrestar al ingeniero Manfredi (Marcello Pagliero), un comunista que es el … Giorgio's refusal to yield shakes the confidence of the Germans, including the commander, who had boasted to the priest and the collaborating woman that they were the "master race", and no one from a "slave race" could withstand their torture. Gottlieb, Sidney. Roberto Rossellini's Rome Open City instantly, markedly, and permanently changed the landscape of film history. The film's photographic style, which is coarse and unstylised, could certainly be considered classically neorealistic, as could Rossellini's unavoidable preoccupation with Italy's fascist history and war-time devastation. Rome, Open City (Italian: Roma città aperta) is a 1945 Italian neorealist drama film directed by Roberto Rossellini. It was shown on Sundance Channel. As the kids make way back into the city, a final shot of the city of Rome and St. Peter's Basilica can be seen clearly in the background. Movie title cards: Roma città aperta (Rome, Open City), 1945 Giorgio gets away, but Francesco is thrown in a truck with other arrestees. A study of the production history reveals that the film is closer to a combination of pure documentation (most accounts will go into detail about the location shooting and the presence of real soldiers) and dramatic reconstruction of actual events (like the execution of priest Don Morosini by the Nazis) with some lyrical filmmaking thrown in for good measure (I still get chills down my spine when I hear the children whistling in defiance of their oppressors). News. After that, only residents of Rome will be able to enter for free. These films were characterized by the use of non-professional actors, natural lighting, location shooting, the desire to get closer to everyday reality, and the struggle for dignity of the masses of people. A realistic tribute to Italy's freedom-fighters... Rossellini's Timeless Neo-Realist Classic, Powerful Portrayal of Dignity and Courage, A great tale of Italian courage during the Nazi occupation of Rome, Rossellini's reclamation project of Italians under Nazi occupation is a classic, Legendary Italian masterpiece with Italian screen legend. Tickets will be free from then until April 21, 2021, even though they have to be booked in advance. If world cinema lacked ROMA, CITTA' APERTA it would be unimaginably poorer. I too was on the run. User Ratings Título original: Roma città aperta. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. Vatican butler convicted in … Original title: Roma città aperta. There are sequences that are barely visible, as proved by the recent showing on the Sundance channel. Fellini had a unique cinematographic eye and a gift for abstract symbolism. Together they go to the priest, who has offered to hide them in a monastery. "Odd Man Out: A Memoir of the Hollywood Ten." Robert Burgoyne called it "the perfect exemplar of this mode of cinematic creation [neorealism] whose established critical definition was given by André Bazin". The film has strong impacting imagery with its mix of fiction and reality that strengthened Italian … In gratitude, Rossellini gave Geiger a co-producer credit. The Museum of Cinema. What makes this film so good is that he has given it heart. Watched Sep 04, 2019. Some theoreticians and film historians (Bordwell, Thompson) would also include duration, or the length of the shot, but we discuss… Unlike other films of the time, many scenes were shot on location in a documentary style. Absolutely great, simple, brutal, honest. 1983)", https://en.wikipedia.org/w/index.php?title=Rome,_Open_City&oldid=1000323098, Creative Commons Attribution-ShareAlike License, Vito Annicchiarico – Marcello, Pina's son, Italian National Syndicate of Film Journalists (, This page was last edited on 14 January 2021, at 17:05. 1Rossellini,Open City,andNeorealism 31 SidneyGottlieb 2 TheMakingofRoma citta aperta`:TheLegacyof FascismandtheBirthofNeorealism 43 PeterBondanella 3 Celluloide andthePalimpsestofCinematic Memory:CarloLizzani’sFilmoftheStoryBehind Open City 67 MillicentMarcus 4 DivertingCliches:Femininity,Masculinity,´ Melodrama,andNeorealisminOpen City … Open City was the first of the great Italian Neo-realist films (followed by Paisan, The Bicycle Thief, Shoeshine, I Vitteloni, and Umberto D). Filmed in secrecy during the Nazi occupation of Italy, the film shows a realistic portrayal of the underground resistance in Italy in 1945. Just two months after the liberation of Rome, Rossellini was already working on his famous film Rome, open city-1945, which was a huge success. The title refers to Rome being declared an open city after 14 August 1943. There is a very small Martin Scorcese documentary as the only DVD extra which isn't much of an incentive to rent the movie. Rome, Open City. One might suggest that the film's unexceptional film-making technique was imposed upon Rossellini rather than being an entirely deliberate artistic decision; the Germans had only just withdrawn from Rome, and its citizens were still reeling from years of Nazi occupation and Allied bombing. The German officer in charge of the execution squad walks over to Don Pietro as soon as he realizes that the Italians will not kill a priest, and executes Don Pietro himself. When Giorgio dies without revealing anything, Don Pietro blesses his body and commends him to God's mercy (last rites and sacraments cannot be given to someone who has died). The site's critics' consensus reads: "Open City fills in the familiar contours of its storyline with three-dimensional characters and a narrative depth that add up to a towering – and still powerfully resonant – cinematic achievement. So I'd say that Sergio Amidei's script is a truly heartbreaking, thought-provoking piece that deserves its fame in Italy and elsewhere. It is a homage to the city, shown in a series of loosely connected episodes set during both Rome's past and present. It was shot in the streets of Rome. Cinematography: Lead Performers: Supporting Cast: Director: Screen Play: Music Score: Title Sequence: MORE REVIEWS> | POST YOUR OWN RATINGS> User Ratings: open city . Rome after the Second World War was a damaged, destroyed city. | a Hotel Guide to Italy Rome Venice Florence & 23 Other Italian Cities: $50-$99. Rome, open city Document author(s): Chris Wiegand Document source: Vancouver International Film Festival Publication date: 2005 Oct 06 Document language: English Document type: program note Number of pages: 2 Document name subject: Guy Maddin Document contains: bibliography, box info, and production co Related films: Watched Mar 21, 2020. A true Neo realist classic masterfully directed by Rossellini. Anna Magnani and Aldo Fabrizi easily steal the show, actually they take it by right, as their characters existed in real life (more or less, as in any work of fiction) and their duty was to make their memory last forever: they did, beautifully. Seen within the context of its time and with reference to the circumstances under which it was made, OPEN CITY is a staggering accomplishment; even so, by modern standards, it feels visually static and slightly contrived. Rossellini preferred using non-professional actors. The starting points in Italian neorealism were in the anti-fascist battle and the Italian liberalization. They titled it Roma, città aperta and declared publicly that it would be a history of the Roman people under Nazi occupation. Week 2 Acknowledgement: The feedback I received in week 2 was to ask for help if needed. We are even surprised that his own daughter, Isabella, so well connected with the world of cinema, has not done more to champion the restoration of this masterpiece. Block or Report. Rome. These include the quality of the film stock, the manipulation of the camera lens, framing, scale and movement. Explore Rome from 8+ stops, conveniently located close to major landmarks and attractions.Immerse yourself in the city's remarkable beauty and heritage with our flexible tours, which allow you to hop on and hop off the bus as much as you like. At this, the altar boys and Resistance fighters grow silent, bow their heads in grief, and slowly walk away. I can't really relate to the faith part, as my ideas are much different from those spread by Don Pietro, but the -let's say- secular part moved me much more than I thought it would, especially the iconic race where Pina tries to get her husband back from the Nazis. Awards She is so frantic and desperate in pursuing the impossible goal of running away from all that darkness, a small tear piled up in my eyes. Far-right, and neo-Nazis march to … Pina, Francesco's fiancée, is visibly pregnant. Huge collection, amazing choice, 100+ million high quality, affordable RF and RM images. Read Hello Italy! Rossellini masterfully captures the city in turmoil with an incredible mix of sociopolitical documentation and riveting melodrama. The best GIFs are on GIPHY. Rome, Open City (1945), Drama War released in language in theatre near you. The infamous torture and execution scenes have lost none of their monumental impact today. Filmed in secrecy during the Nazi occupation of Italy, the film shows a realistic portrayal of the underground resistance in Italy in 1945. News. "The Imaginary And The Neo-Real". . Rossellini's scripts were often two-dimensional, his cinematography spotty and his editing odd. Rome, Open City (Roma città aperta) Dir: Roberto Rossellini. Know about Film reviews, lead cast & crew, photos & video gallery on BookMyShow. Review by Michael. Roma città aperta/Rome, Open City/Open City (1945 Italy 103 mins) Prod Co: Excelsa Film Dir: Roberto Rossellini Scr: Sergio Amidei, Federico Fellini, Roberto Rossellini Phot: Uba The images have indelibly etched themselves into our minds: the stunning Gestapo round-up sequence, the death of Pina before the eyes of her cassocked altar-boy little son, the torture of the members of the resistance, the courage of the children, the execution of the priest, the earthy beauty of Anna Magnani's face.