painter. Her practice spanning drawing, photography, sculpture and videoengages diverse materials, imbued with conceptual underpinnings. Offsite: Reena Saini Kallat is presented by the Vancouver Art Gallery in association with Indian Summer Festival. Using the motif of the rubberstamp both as object and imprint, signifying the bureaucratic apparatus, Kallat has worked with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. Reena Saini Kallat is a indian contemporary artist presents painting video installation, digital photography, abstract paintings, indian contemporary paintings, figurative sculpture and indian miniature paintings. Since the Bhau Daji Lad Museum stands situated at Jijamata Udyaan (once called the Victoria Gardens) in the natural environment of the zoo, I wanted the sculpture to have an organic form, one that has some sort of a relationship to its surroundings. Lesen Sie die Biografie von Reena Saini Kallat. Symbols of bureaucracy—rubber office stamps and clippings of barbed wire entangled with electrical cables—reoccur in Reena Saini Kallat’s work. All of her works, whether installations, photographs, paintings or sculptures, reflect the constant shifts between building and collapsing movements, birth, death and rebirth and defeat and resurgence. View artworks for sale by Reena Saini Kallat Reena Saini Kallat (54, Indian). Find the latest shows, biography, and artworks for sale by Reena Saini Kallat Reena is a mixed media artist, working with painting, … occupation. Her practice spanning drawing, photography, sculpture and video engages diverse materials, imbued with conceptual underpinnings. Hyphenated Lives, Kallat’s solo exhibition, centers around the artist’s recurring theme of the role of memory in our lives. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. 1 reference. REENA SAINI KALLAT (Born in 1973) Details. Metal … (Courtesy Jonathan … Ink 69,669 items. Her ongoing series using salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence. Blind Spots, Chemould Prescott Road, Mumbai, Earth Families, Manchester Museum, United Kingdom, Hyphenated Lives, Chemould Prescott Road, Mumbai, Offsite, Public Art Project, Vancouver Art Gallery, ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai, Falling Fables, Maximum India at the Kennedy Centre, Washington, Labyrinth of Absences, Nature Morte, New Delhi, Silt of Seasons, Chemould Prescott Road, Mumbai, Subject to Change without Notice, Walsh Gallery, Chicago, Displaced: Contemporary Artists Confront The Global Refugee Crisis, curated by Irene Hofmann and Brandee Caoba, SITE Santa Fe, New Mexico, Potential Worlds 1: Planetary Memories, curated by Heike Munder and Suad Garayeva-Maleki , Migros Museum of Contemporary Art, Zurich, When Home Won’t Let You Stay: Migration through Contemporary Art curated by Eva Respini and Ruth Erickson, The Minneapolis Institute of Art, USA, When Home Won’t Let You Stay: Migration through Contemporary Art, curated by Eva Respini and Ruth Erickson, The Institute of Contemporary Art, Boston, Tomorrow’s Tigers, Specially Commissioned Rugs, Royal Academy of Art, Academicians Room, London, MODUS OPERANDI II, Chemould Prescott Road, Mumbai, Fracture/Fiction: Selections from the ILHAM Collection, ILHAM Gallery, Malaysia, Continental Shift: Contemporary Art and South Asia, curated by Rodney James, Bunjil Place Gallery, Victoria, Australia, Alteration/Activation/Abstraction, curated by Betty Seid, Sundaram Tagore Gallery, New York, Tomorrow’s Tigers, Specially Commissioned Rugs, Laura Culpan + Susie Allen Co-Directors Artwise Sotheby’s, London, Vision Exchange: Perspectives from India to Canada, The Art Museum of the University of Toronto, CONNECTING THREADS: Textiles in Contemporary Practice, Curated by Tasneem Mehta and Puja Vaish, Bhaudaji Lad Museum, Mumbai, Vision Exchange: Perspectives from India to Canada, curated by Catherine Crowston and Jonathan Shaughnessy, Art Gallery of Alberta and National Gallery of Canada, Fearless: Contemporary South Asian Art, curated by Natalie Seiz, Art Gallery of New South Wales, Sydney, Facing India, curated by Dr. Uta Ruhkamp, Kunstmuseum Wolfsburg, Germany, Asymmetrical Objects, curated by Tasneem Zakaria Mehta, Dr. Bhau Daji Lad Museum, Mumbai, Sensorium: The End is Only the Beginning, Sunaparanta, Goa, I don’t want to be there when it happens, curated by Eugenio Viola Perth Institute of Contemporary Arts, Australia, Memories of Partition, part of the New North and South network, Manchester Museum, UK, India Re-worlded: Seventy years of Investigating a Nation, curated by Arshiya Lokhandwala, Gallery Odyssey, Mumbai, On the Horizon the Shadow Speaks another story’ title Nuit Blanche Toronto at Drake Commissary curated by November Paynter, Museum of Contemporary Art, Toronto, Make a Change, curated by Torun Ekstrand, Norrtalje Museum + Konsthall, Sweden, Borders: Us and Them, curated by Qian Lin, NYU Shanghai Art Gallery, China, Transforming Vision: 21st century art from the Pizzuti Collection, Pizzuti Collection, Columbus, Ohio, Insecurities: tracing Displacement and Shelter, organized by Sean Anderson and Ariele Dionne-Krosnick, The Museum of Modern Art (MOMA), New York. See available paintings, works on paper, and installation for sale and learn about the artist. Watercolor painting 46,187 items. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal, Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai, Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi, The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway, Crossing Borders, Gallery Windkracht 13, Den Helder, Holland, Big River 2, CCA7 Gallery, Port Of Spain, Trinidad, AOM- Art on the move, organized by Sahmat, New Delhi, Drop in and make: Criss-cross chronicles as part of the exhibition Fearless: Contemporary South Asian art supported by Arthouse Direct, Art Gallery of New South Wales, Sydney, Visas to Happiness – 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh, Visas to Happiness, workshop with children as part of the exhibition ‘To Let the World In’, Chennai, Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai, Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, UK, Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai, Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia, Khoj 2002 International Artists Workshop, Mysore, India, Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada, Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies, Artist talk at MIT India Initiative, Mumbai. DACS ID. White Birds Painting: gouache, charcoal, electric wire on deckle – edge handmade paper 37 x 52 in. Penumbra Passage (Canine Cases) comprises of a series of portraits of ordinary civilians from both India as well as Pakistan, their faces blemished by the silhouette of the disputed territory often referred to as Pakistan Occupied Kashmir. She went to art school in Mumbai, and has come to use a variety of media, like drawing, painting, photography, and sculpture. Wikipedia. Called acoustic mirrors, such devices were utilised by armies on both sides of the conflict as early warning systems. School of Art, Mumbai in 1996 with a B.F.A. Read the artist bio and gain a deeper understanding with MutualArt's artist profile. Curator: Peter Nagy. Her practice – spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. View Reena Saini Kallat’s 58 artworks on artnet. Hybridizing Earth, Discussing Multitude, 10th Busan Biennale, curated by Cheagab Yun, Kiswire Suyeong factory, Busan, A Summer Mix, Chemould Prescott Road, Mumbai, Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai, Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi, Encounters 2014 – Is there love in the air?, Public project with Art Oxygen in Mumbai, No-Mad-Ness in No-Man’s Land, Eslite Gallery, Taipei, “Something Old and Something New”, Cheongju International Craft Biennale, Korea, Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai, Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi, EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites, India side by side, Centro Cultural Banco do Brasil, Brasilia, Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway, The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden, Samtidigt, Helsinki City Art Museum, Finland, The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada, La Route de la Soie / The Silk Road, Lille 3000, France, The River Project, Campbelltown Art Centre, Sydney, Roundabout, City Gallery Wellington, New Zealand, In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver, Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri, Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York, The Empire Strikes Back, Saatchi Gallery, London, Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil, View Points and Viewing points – 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts, Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK, Chalo! Kallat liked the idea, and when I saw his wife, Reena Saini Kallat, 38, nearby, I asked if they could do it together. Artists Reena Saini Kallat. Her practice – spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. – Reema Saini Kallat. Reena Kallat is known for symbolic, surreal object, botanic and portrait painting. She currently lives and works in Mumbai. imported from Wikimedia project. She has participated at the Havana Biennial (2019); Busan Biennale (2016), Goteborg International Biennial for Contemporary Art (2011), the Vancouver International Sculpture Biennale (2011), the Asian Art Biennale, Taiwan (2009) besides others. Born in 1973, Delhi, India. Reena Saini Kallat was born in 1973 in Delhi, India. She is immersed in and inspired by the circle of life and nature, and the humanity that coexists and grapples with it. Smith, Dayanita Singh, Kesang Lamdark, and Shilpa Gupta.Reena Saini Kallat was born in 1973. Her newly-commissioned sculpture Chorus will be seen alongside works that include a series of hybridised animals that represent various nations in … Wie ein roter Faden durch das Werk von Reena Saini Kallat was an artist-in-residence in the collective imagination, the! Browse upcoming auctions and create alerts for artworks you are interested in and portrait.... 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