Then came the arrival of the Edo period, when Japan’s magical cat population truly exploded. Temari is said to have its origins from Kemari (football), brought to Japan from China about 1400 years ago. Lacquer was used both for solely decorative objects as well as everyday items, such as combs, tables, bottles, headrests, small boxes, and writing cases. While initially innovative, from the 17th century onward, the artists of the school became increasingly conservative and academic in their approach. The period was characterized by economic growth, strict social order, isolationist foreign policies, increased environmental protection, and popular enjoyment of the arts. Noisemakers were added to the inside of the balls, Japanese designs mimicked the colors of nature, and the brilliant colors of kimono silk were used to stitch eye-catching patterns. Rinpa artists worked in various formats, notably screens, fans, hanging scrolls, woodblock printed books, lacquerware, ceramics, and kimono textiles. Subject matter ranged from Kabuki actors and courtesans to famous landscapes. Name the traditional Japanese handicrafts developed during the Edo period. The calligraphy denotes a poem or saying that teaches some element of the path of Zen; the brush painting is characteristically simple, bold, and abstract. The school was supported by the shogunate, effectively representing an official style of art; under the Edo period in which art and culture were strictly regulated, this essentially monopolized the field of painting. Japanese literati were not members of an academic, intellectual bureaucracy like their Chinese counterparts; while the Chinese literati were academics aspiring to be painters, the Japanese literati were professionally trained painters aspiring to be academics and intellectuals. Sōtatsu specialized in making decorated paper with gold or silver backgrounds, which Kōetsu assisted by adding calligraphy. Ultimately, this style of painting was an outgrowth of the idea of the intellectual, or literati, as a master of all the core traditional arts—painting, calligraphy, and poetry. Describe the defining characteristics of the Kano School during the Edo Period, and distinguish it from literati painting. The school began by reflecting a renewed influence from Chinese painting, and it continued to produce monochrome brush paintings in the Chinese style over the years. Later bunjinga artists considerably modified both the techniques and the subject matter of this genre to create a blending of Japanese and Chinese styles. Edo: both the name of a particularly character-defining period in Japanese history and the old name for Tokyo. In urban Edo, which assumed a distinctive character with its revival after a devastating fire in 1657, a witty, irreverent expression surfaced in the literary and visual arts, giving rise to the Kabuki theater and the well-known woodblock prints of the “ floating world,” or ukiyo-e. Under the Edo period policy of sakoku, Japan was cut off from the outside world almost completely. The Kanō School drew on the Chinese tradition of literati painting by scholar-bureaucrats, but the Kanō painters were firmly professional artists: they were very generously paid if successful and received formal workshop training in the family workshop (similar to European painters of the Renaissance or Baroque period). Ukiyo-e was closely linked to the bunjinga, or literati, style of painting that emerged during the same period. Sword Guard (Tsuba) with Treasure Motifs, c. 1615-1868. Japanese lacquerwork reached its peak in the 17th century, when lacquer was used to decorate a range of everyday items; the famous lacquerer Ogata Korin introduced a greater use of pewter and mother of pearl in lacquerware. The term Edo now connotes a distinctive aesthetic sensibility that spans a wide range of art forms, including screen paintings, scrolls, sculptures, ceramics, lacquers, textiles, and woodblock prints. Other Rinpa artists active in this period were Tatebayashi Kagei, Tawaraya Sōri, Watanabe Shikō, Fukae Roshū, and Nakamura Hōchū. Suzuki Harunobu produced the first polychrome (multicolor) print in 1764, and print designers of the next generation, including Torii Kiyonaga and Utamaro, created elegant and sometimes insightful depictions of courtesans. The Edo Period Portrait of an Arhat (Rakan) was created in Edo period of the Japanese art culture. 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