Whereas the vulnerability and sentimentalism exuded by Calvert and the hard-edged sexuality or selfishness of the Roc persona were discrete qualities, Lockwood demonstrated a capacity to range through conflicting emotions, especially in Gainsborough films, which explored and exploited womens needs anddesires. Any moles or flaws are usually Photoshopped out to create the image of beauty." In 1969 she starred as barrister Julia Stanford in the TV play Justice is a Woman. Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. Her body was cremated at Putney Vale Crematorium. Your email address will not be published. In June 1939, Lockwood returned to the United Kingdom. After poisoning several husbands in Bedelia (1946), Lockwood became less wicked in Hungry Hill, Jassy and The White Unicorn, all opposite Dennis Price. Back at Gainsborough, producer Edward Black had planned to pair Lockwood and Redgrave much the same way William Powell and Myrna Loy had been teamed up in the "Thin Man" films in America, but the war intervened and the two were only to appear together in the Carol Reed-directed The Stars Look Down (1940). Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. After poisoning several husbands in "Bedelia" (1946), Lockwood became less wicked in "Hungry Hill", "Jassy", and "The White Unicorn", all opposite Dennis Price. It was nerve wracking to have to find that now that I live in Fullerton. alcohol. She taught at her old drama school in the early 1990s and, after the death of her husband in 1994, retired to Spain. A vivacious brunette with a beauty spot on her left cheek, she starred in a wide variety of films, notably the wartime thriller Night Train to Munich (1940), the romantic comedy Quiet Wedding (1941), as the husband-stealing murderess in the period melodrama The Man in Grey (1943), Trents Last Case (1952), Cast a Dark Shadow (1955), and as Cinderellas stepmother in The Slipper and the Rose (1976). Full Time, Part Time position. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was an unfit mother. ]died July 15, 1990, London, Eng. She complained to the head of her studio, J. Arthur Rank, that she was "sick of sinning", but paradoxically, as her roles grew nicer, her popularity declined. While its hard to imagine Carey Mulligan or Keira Knightley being asked to offer up a Romantic paean to life within a few minutes, the demand on Lockwood made sense during the live for now atmosphere of World War II and she pulled off the flow with sustainedintensity. What made her a front rank star was The Man in Grey (1943), the first of what would be known as the Gainsborough melodramas. The flow of performances by Lockwood in the 1940s meanwhile amount to a consistent grappling and overcoming of victimhood. Lorem ipsum dolor sit amet. Ive never been able to figure out what would i write about myself. Lockwood had a change of pace with the comedy Cardboard Cavalier (1949), with Lockwood playing Nell Gwyn opposite Sid Field. The perception of beauty marks has come a long way since the 1800s, though, that's not to say it happened overnight. The film was a massive hit, one of the biggest in 1943 Britain, and made all four lead actors into top stars at the end of the year, exhibitors voted Lockwood the seventh most popular British star at the box office. Size: 46 Pages, Transcript. Images of the British actress, Margaret Lockwood. She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. Registered charity 287780, Watch Margaret Lockwood films on BFI Player, In praise of 1940s icon and Lady Vanishes star Margaret Lockwood. When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. Ceramic. This film was a success, launching Lockwoods career, and Gaumont extended her contract from three to six years. Location: Fullerton, CA. When Barbara smothers the godly old servant (Felix Aylmer) whos lingering on after drinking her poison, she was speaking for all mid-40s women who were impatient to dispense with patriarchalcant. After what she regarded as her mother's painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughter's performance in "The Wicked Lady", she snapped: "That wasn't acting. "All beauty marks are moles,"Neal Schultz, a New York City-based cosmetic and medical dermatologist and host of DermTV, explained. Photograph: Cine Text/Allstar Sat 29 Nov 2008 19.01 EST No 37 Margaret Lockwood, 1916-90 She was born in India, a daughter of the Raj, brought up in England by a cold,. These days, Rowland doesn't like to leave home without her trusty appliqud beauty mark. She was made Commander of the Order of the British Empire in 1980. Her first moment on stage came at the age of Stone appeared with her in her award winning 1970s television series, Justice, in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. Her final stage appearance, as Queen Alexandra in Motherdear, ran for only six weeks at the Ambassadors Theatre in 1980. [12], She followed this with A Girl Must Live, a musical comedy about chorus girls for Black and Reed. Kate Upton and Blake Lively have certainly helped the spot stay en vogue today. If you notice your beauty mark starting to lookasymmetrical, theborder or edges are uneven, it has variations incolor, grows indiameter, orevolves over time, you should make an appointment with your dermatologist to get it checked out. CURRENT NEEDS: Part time 1-2 days a week 9 AM-3 PM. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). Required fields are marked *. Due to the success of the film, Margaret spent some time in Hollywood but was given poor material and soon returned home. PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. [9] This movie was a hit and launched Lockwood as a star. Her other small-screen roles included the bargees daughter Julia Dean in the sitcom Dont Tell Father (1959), Martha Barlow in the suspense serial The Six Proud Walkers (1962), the marriage-breaking secretary Anthea Keane in the magazine soap Compact during 1963, and Samantha in the TV sitcom version of Birds on the Wing (1971), alongside Richard Briers, with whom she starred in the radio comedy Brothers in Law (1971-72). An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage where she had a success in "Peter Pan", "Pygmalion", "Private Lives", and Agatha Christie's thriller "Spider's Web", which ran for over a year. Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. For the remaining years of her life, she was a complete recluse at her home, in Kingston upon Thames, rejecting all invitations and offers of work. Vascular birthmarks, on the other hand, are formed when "extra blood vessels clump together." Yet, even she considered having surgery to get rid of it. She was born on September 15, 1916. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. I dont believe in raising an only child. If you have a real beauty mark, however, you should be aware of what the SkinCancer Foundation calls the "ABCDE" signs of melanoma, the deadliest form of skin cancer. Italia Conti Drama School. Margaret Lockwood, an actress who became one of the most popular figures in British films of the late 1940's, died on Sunday. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britain's biggest box-office stars. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. As an only child herself, she had once said: I love children. She starred in another series The Flying Swan (1965). ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. Sign up for BFI news, features, videos and podcasts. Lady barrister Harriet Peterson tackles cases in London. More popular was Jassy (1947), the seventh biggest hit at the British box office in 1947. Collect, curate and comment on your files. "I was terribly distressed when I read the press notices of the film", wrote Lockwood. They appeared together again in the romantic melodrama The White Unicorn (1947). That was natural." Stage career Imagine the awkwardness of having a real beauty mark during this period in history? The latter title, a gothic melodrama, had been a hit for Gainsborough Pictures . Instead she was a murderess in Bedelia (1946), which did not perform as well, although it was popular in Britain.[27]. Her body was cremated at Putney Vale Crematorium. Gilbert later said "It was reasonably successful, but, by then, Margaret had been in several really bad films and her name on a picture was rather counter-productive. In 1944, in "A Place of One's Own", she added one further attribute to her armoury: a beauty spot painted high on her left cheek. She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. Margaret Lockwood autographed publicity for Jassy, The Wicked Lady (1945) photograph (48) | Margaret Lockwood, Margaret Lockwoods jumper Bestway knitting leaflet, Jassy (1947) photograph (34) | Margaret Lockwood, Patricia Roc, Margaret Lockwood photograph (37) | Highly Dangerous 1950, Queen of the Silver Screen Margaret Lockwood biography Spence 2016, Once a Wicked Lady biography of Margaret Lockwood by Hilton Tims, Lucky Star The Autobiography of Margaret Lockwood, My Life and Films autobiography by Margaret Lockwood (1948), 34 Upper Park Rd, Kingston upon Thames KT2 5LD. You can play him as a fey creature or right down to earth. The music was written by Hubert Bath. Margaret Lockwood. She enjoyed a steady flow of work in films and on television but gained her greatest fulfilment in the theatre. During the 1940s, she starred in some blockbusters, including Hungry Hills, The White Unicorn, Cardboard Cavalier, and others. Lockwood began training for the Italia Conti Academy of Theatre Arts at the age of twelve and made her stage debut in 1928 with the play A Midsummer Nights Dream. She appeared in two comedies for Black: Dear Octopus (1943) with Michael Wilding from a play by Dodie Smith, which Lockwood felt was a backward step[25] and Give Us the Moon (1944), with Vic Oliver directed by Val Guest. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). From her mid-20s Lockwood was seen on the West End stage in Arsenic and Old Lace (Vaudeville theatre, 1966), The Servant of Two Masters (Queens theatre, 1968), Charlie Girl (Adelphi theatre, 1969), Birds on the Wing (Piccadilly theatre, 1969), alongside Bruce Forsyth making his debut as a straight actor, and The Jockey Club Stakes (Vaudeville theatre, 1970). She is commemorated with a blue plaque at her childhood home, 14 Highland Road in Upper Norwood. October 17, 1937 - 1950 (divorced, 1 child), The Slipper and the Rose: The Story of Cinderella, Karachi, British India [now Karachi, Pakistan]. She played an aging West End star attempting a comeback in The Human Jungle with Herbert Lom (1965). Was a committed teetotaller all her life and detested the taste of She wouldn't have been the only one to fake it, though. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. The film was the most popular movie at the British box office in 1946. Actors: Margaret Lockwood, James Mason, Patricia Roc. So, while Cindy Crawford and other big names with facial molesare often credited with having iconic beauty marks, celebs with body moles aren't given quite the same label. 3.7 Stars and 24 reviews of Lisa Family Salon "For being in So Cal for only 6 months, I have only gotten my hair cut once and that was back in Nor Cal when I went home to visit family. [2] Lockwood attended Sydenham High School for girls, and a ladies' school in Kensington, London.[1]. The excitement of walking on in Noel Cowards mammoth spectacular, Cavalcade, at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. Then, in 1972, she married the actor Ernest Clark, best known as the irascible Geoffrey Loftus in Doctor in the House and its TV sequels, and her fellow star in the Ray Cooney farce The Mating Game (Apollo theatre, 1972). - makes her the epitome of the British noblewoman. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. A year later she married Rupert Leon, a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Some of Lockwood's scenes had to be re-shot for American audiences not accustomed to seeing dcolletages. She appeared on TV in Ann Veronica and another TV adaptation of the Shaw play Captain Brassbound's Conversion (1953). 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, caused her to turn her back gradually on a glittering career. ]died July 15, 1990, London, Eng. Aged four, Julia made her screen debut playing her daughter in Hungry Hill (released in 1947), based on Daphne du Mauriers novel about a feud between two Irish families. They were going to look after me as no one else had done before. The film's worldwide success put Lockwood at the top of Britain's cinema polls for the next five years. "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. 17th-century beauty Barbara Worth starts her career of crime by stealing her best friend's bridegroom. She had a small role in Who's Your Lady Friend? Margaret Lockwood (1916-1990) was Britain's number one box office star during the war years. In the 1969 television production Justice is a Woman, she played barrister Julia Stanford. Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. Please like & follow for more interesting content. Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to their shy, sensitive daughter. She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. A rather controversial biographer once . As a result, Margaret took refuge in a world of make-believe and dreamed of becoming a great star of musical comedy. ), British actress noted for her versatility and craftsmanship, who became Britain's most popular leading lady in the late 1940s. If you've ever heard of a beauty mark being labeled a birthmark, that's not exactly fake news. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britains biggest box-office stars with her appearance in the 1945 film classic The Wicked Lady, four years after her daughters birth. A report published by theJournal of the American Academy of Dermatology(via NCBI) highlighted the "disfiguring scars" left in the disease's wake. Margaret Lockwood made her screen debut in the drama picture Lorna Doone in 1934. Who knew the social science behind moles could be so complicated? She made no more films with Wilcox who called her "a director's joy who can shade a performance or a character with computer accuracy" but admitted their collaboration "did not come off. Her mother was Margaret Lockwood, raven-haired lead in the Gainsborough studio's period melodramas of the 1940s, including The Wicked Lady. In the 1930s, she appeared in a variety of stage plays and made her name. She refused to return to Hollywood to make Forever Amber, and unwisely turned down the film of Terence Rattigans The Browning Version. "[14], Gaumont British had distribution agreements with 20th Century Fox in the US and they expressed an interest in borrowing Lockwood for some films. Streamline your workflow with our best-in-class digital asset management system. Julia was born in Ringwood, Hampshire, when her father, Rupert Leon, a commodities clerk, was serving in the army while her mother continued her film career. This film also included the final appearance of Edith Evans and one of the later appearances of Kenneth More. She also starred in the television series Justice (197174). Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. Possibly up to halfof all melanomas start as benign moles. In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." I like having familiar faces that recognize me. After becoming a dance pupil at the Italia Conti school, she made her stage debut at 15 as a fairy in A Midsummer Nights Dream at the Holborn Empire. For Rowland, it all began with putting a dot of black Duo lash glue on her face. Organize, control, distribute and measure all of your digital content. Even more popular was her next movie, The Lady Vanishes, directed by Alfred Hitchcock, produced by Black and co-starring Michael Redgrave. Before long, mouches made their way into politics. Whether or not your beauty mark is also a birthmark, romanticist William Shakespeare would've so been into it. In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. The excitement of "walking on" in Noel Coward's mamouth spectacular, "Cavalcade", at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. Margaret Mary Day Lockwood, CBE (15 September 1916 - 15 July 1990), was an English actress. She followed it with Irish for Luck (1936) and The Street Singer (1937). All rights reserved. Lockwood entered films in 1934, and in 1935 she appeared in the film version of Lorna Doone. [34] then went off suspension when she made a comedy for Corfield and Huth, Look Before You Love (1948). What Austin, Texas looked like in the 1970s Through These Fascinating Photos, Rare Historical Photos Of old Mobile, Alabama From Early 20th Century, What El Paso, Texas, looked like at the Turn of the 20th Century, Fascinating Historical Photos of Portland from the 1900s, Stunning Historical Photos Of Old Memphis From 20th Century. This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916.