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To submit directly without an agent you need to send them a query letter with a description of your manuscript, how close it is to completion (if it is not yet finished), and a little bit about your writing background. It is a precise and qualified process, rather than an independent, possibly unpublished artist spread betting their work across editors and art directors who they do not know apart from an impression of them through social media. All I can say is find the right agent for you, and you wont regret it. Take time with it. Author/illustrators: NBPlease include a link to your online portfolio and/or to your downloadable dummy. She is just as happy working with debut talents as she is best-sellers. An agent will intuit which clients are going to respond well to the artists work, and this becomes the first port of call for an illustration agent when initially pitching, sharing, and presenting the portfolio to commissioning clients. Because co-agenting can be even more unpredictable than regular agenting, and because two agents naturally need to look at whats best for two clients with different histories and hopes, the co-agenting process requires double the consideration and diplomacy. Agencies are still in there, but the box is getting more crowded all the time. 7, Manuscript Wish ListANDManuscript Wish List specifically for literary agents of picture booksAND#MSWL (the Twitter version of Manuscript Wish List) Agents and editors of all writing genres post what they want. Keep your correspondence professional. Fairbank Literary Representation (About) (Submissions)Not accepting submissions for childrens works unless by an illustrator/artist. Making sure Im advocating well and clearly for my client from the get-go is even more critical than usual when there are two times the number of voices in the mix. How to Get a Nonfiction Agent Shes one of my favorite people in the entire industry. Keep walking. More on her wish list, here. the Twitter version of Manuscript Wish List) Agents and editors of all writing genres post what they want. Unfortunately, due to the overwhelming number of submissions received, personal responses are only very rarely possible. (Thank you!). This website uses cookies to improve your experience while you navigate through the website. Show an agent you are serious about writing as a career. For adult fiction, Danielle is seeking upmarket commercial fiction and literary fiction. Sometimes those opportunities come in fast and sometimes they dont. It might seem strange in another industry to see such interagency fellowship,but it feels right for those whove made a career in making books for kids. Lets submit your work to an agent. SCBWI Statement of Intent on Equity and Inclusion, The Essential Guide to Publishing for Children, Co-Agenting with Kirsten Hall and Erica Rand Silverman. For nonfiction: she is looking for compelling, voice-driven projects that shed a humorous or thought-provoking light on a previously unknown topic in the areas of narrative nonfiction/memoir, lifestyle, relationships, humor, current events, food, wine, and cooking. Its the most comprehensive (and accurate) list of literary agencies in the world, with detailed profiles for more than 1,100 literary agents. and Illustrators. We dont take any pleasure in having to pass on your work or give you difficult news. These cookies do not store any personal information. You dont have their undivided attention. This is probably less often the case once a project reaches the publisher. What do you look for in a submission?I look to have an emotional response and for the work to be something different than is already represented on my list. But if we are interested, we will request your full manuscript. Lets stop using that word rejection. Try for a moment to think of it as objective criticism. We have invaluable industry insights and connections. I think of co-agenting as an opportunity to have double the client list with only half of the responsibility. Send her your high-concept and hooky; your award-winners; the books that will become backlist gold. All agents should share the ability to reasonably negotiate contracts. I appreciate having a trusted ear, an ally, and an advocate for my work and career. She currently has around 45 clients with little room for more, as she thinks 50 clients is the ideal number. When I signed, it was very exciting. These cookies do not store any personal information. Different authors and illustrators have different needs, which is why finding your perfect agent match is so important. It may not even be 50 percent. I want an agent to help me . Honest and open communication is key. Well try to get back to you as quickly as possible. Logo designed by Kody Chamberlain Website designed by Ian Bauer. Other times, well sell texts to publishers first and then when it comes time for illustrators, if there isnt someone on our list who we think is right to recommend, our next step will be to look at each others lists, or those of other agent friends. Im reading from an unconventional point of view. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. It feels good to say, I have an agent. Its legitimizing. In some cases the text and art may be developing simultaneously off of one another. Today, the tools that art directors use to find illustrators are too numerous to list. . Let me give you examples from two of your colleagues: I signed with an agent thinking that they would get me work right away. . Youll get free access tothe Directory of BookAgents with detailed profiles for allbookagents,including Kirsten HallLiterary Agent. Childrens/Pic Book M. Leshem-Pelly If an agent is interested in representing you, under no circumstances should you simply say, Great! They operate on your behalf, ever focused on your career. Once that commission has been accepted, the ball is then in motion. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. How Long to Get An Agent? Kirsten opened Catbirds wings in March 2014. I also ask six well-respected agents to share their thoughts by answering three questions. I went back to the drawing board., I signed with an agent, thinking that they would get me consistent work. But the truth is everyone in publishing faces rejection at some point. I dont think its extra contact our clients see as much as extra opportunity. Theyre pitching. Nonfiction/Business D. Hamme Tugeau 2, A Children's Art & Literary Agency 2231 Grandview Avenue Cleveland Heights, OH 44106 Tugeau 2 proudly serves artists, writers and illustrators with representation in the children's publishing industry. Our goal is always to sell their work and properly manage their rights, establishing long-term writing careers for our clients. Read their interviews. of Speculation by Jenny Offill, Kitchens of the Great Midwest by J.Ryan Stradal, and Station Eleven by Emily St. John Mandel. I choose to work with an agent because I value that relationship and I know its helped me to create my best work. A major plus of not having an agent is the money saved. (Though slush piles get an undeservedly bad reputation. Plus, get a FREE ebook when you sign up! They agreed almost immediately. Erica:Were different in that Kirsten does a lot more co-agenting than I do. Get updates about Kirsten Hall and recommended reads from Simon & Schuster. But agents help your creative growth in more ways than the obvious. Kayla's submission email is: kayla.submission@gmail.com. Its all about matchmaking matching up talent to work together, matching up talent to editors and publishers. Childrens/YA D. Bester Ask questions. Its not easy to do it yourself, but it is possible. Hall is Catbird Productions sole proprietor. Youve identified fifteen to twenty agents. Not of, or relating to, Dogma, Catbird seeks to foster a community of varietous and riotously (not righteously) funny creators in Austin and in the larger state of Texas. Only considers picture books from established illustrators. Kayla is seeking everything from heartfelt or humorous picture books (she has a soft spot for animal protagonists) to dynamic, unpredictable YA (she loves a good murder mystery or a clever rom-com). The answer might be a little different for our editorial colleagues with writers. By the end of this post, you may finally have the answer to: Do I need an agent?. To be taken seriously, read the (damn) guidelines. Snail-Mail: Closed E-Mail: Closed Online Form: Closed Learn more about this agent, including: Genres of Interest Typical Response Times Best Query Methods Become a QueryTracker Member (Free) What percentage of art directors go to agents first to find illustrators? Ive worked as a publicist, as an editor, and now as an agent and author. you guessed it: agents. Christy Ewers: is mostly closed to submissions for the time being. Theyre traveling. You should know, agents are not going to comment right away (if at all). Memoir/Christian S. LeRette She is drawn toward gorgeous writing and strong, flawed characters. If you still dont hear from them, move on. Its also really fun when it happens on the end of the publishers too. It sounds less hurtful. Do your clients have more contact with one another than they would if this were set up by a publisher? You can ask her a question here. Christie Megill: is eager to work with illustrators, author/illustrators, and picture book authors, offering long-term support in their careers and creative journeys. Were not afraid of this. In some cases yes and in some cases no. But its good to be pushed outside our comfort zones once in a while. Today, she is the founder and owner of a boutique childrens book illustration and literary agency, Catbird Productions. We usually begin by keeping the artist and author separate from one another as publishers do. Follow each agents instructions, but remember that they may be different. It all depends on who you are, and what you want. Either way, I hope this post helps you move forward with your career. She is looking for visual storytellers with distinctive, unique portfolios that will stand out in a crowded market. I dont know. Kirsten Hall, Catbird Agency Picture books pretty much have me wrapped around their finger. Before working in publishing, Erica was a teacher and dean. "Mark helped me get five different offers for representation from top literary agents. Work is more fun when youre doing it with people you like and respect. If you rely on those directories to find literary agents at Catbird Productions, youre going to hurt your chances of getting an agent to represent you. If you do not receive a reply from Chad in 2 weeks, please assume its a pass. Susan's submission email is: susanhawk.submission@gmail.com. You also have the option to opt-out of these cookies. They lead the cheer for you. Deborah Harris Agency (Agents) (Submissions), D4EO Literary Agency (Agents & Submissions), Dunham Literary, Inc. (Jennie Dunham)(Submissions), Dunow, Carlson & Lerner Literary Agency (Agents) (Submissions), Dystel, Goderich, & Bourrett LLC (Agents) (Submissions)(Nonfiction Submission Guidelines), Einstein Literary Management (Agents) (Submissions), Ethan Ellenberg Literary Agency (Agents) (Submissions). Okay! She is not seeking sci-fi, horror, or high fantasy. Necessary cookies are absolutely essential for the website to function properly. 1. Martin Literary Management (Agents & Submissions), McKinnon Literary (Agents) (Submissions), Metamorphosis Literary Agency (Agents) (Submissions), New Leaf Literary & Media, Inc. (Agents) (Submissions), Page Turner Literary Agency(Agent) (Submissions opendates for submissions are noted on agencys submisions page), Peters Fraser + Dunlop (Agents) (Submissions)A UK agency, Pippin Properties (Agents)(Submissions), Plum Pudding Illustration Agency (Submissions) UK agency specifically for illustrators.