Photography ordered 30 November 1961. On 30 July 1996 David Sylvester wrote to the then owner of ‘Lying Figure’, c.1953 (53-21), who was disappointed he had not included it in the Bacon retrospective at the Centre Pompidou, Paris. 2007. Francis Bacon: A Terrible Beauty (22 works, works on paper and selected archival material, illus.). Thank you! Moreover, if, Robert Melville, reviewing the 1964 Alley/Rothenstein catalogue raisonné in, ''Francis Bacon' Tate Britain 11 September 2008-4 January 2009 (and two publications)', ''Lost' Bacon painting expected to fetch £1.5m', 'A British Outsider Embraced With a French Blockbuster', 'A Course of Severe and Arduous Trials': Bacon, Beckett and Spurious Freemasonry in Early Twentieth-Century Ireland, 'A Magnificent Mischief-Maker: To be in Francis Bacon's company was to be dazzled and confused, seduced and stunned', 'A Note on the Development of Francis Bacon's Painting', 'A Trail of Human Presence: On Some Early Paintings of Francis Bacon', 'Ambivalent Homecomings: Louis le Brocquy, Francis Bacon and the Mechanics of Canonization', 'Another Look at Bacon: Newfound Canvases Shed More Light on a Master', 'Apparitions of evil: Mr. Francis Bacon's new paintings', 'Art Dispatch from Europe: Düsseldorf. These compromise categories have been jettisoned in the present catalogue, and the extant paintings placed where they occur in the chronology. Bacon destroyed many hundreds of paintings. 29 Jan. 2007-15 Apr. Doubtless Bacon cut the canvasses so as to leave the stretchers intact for … Canvas dimensions are given in imperial measurements, height preceding width, followed by metric; this conforms with the British manufacture of Bacon’s canvasses. Sea bream on bamboo leaves. 2003, New Haven: Yale University Press for Paul Mellon Centre for Studies in British Art, pp. Head III. This … Head Case Designs Un Bacon Vie d'un Corgi Étui Coque en Gel Molle pour iPhone 6 Plus/iPhone 6s Plus: Amazon.fr: High-tech Choisir vos préférences en matière de cookies Nous utilisons des cookies et des outils similaires pour faciliter vos achats, fournir nos services, pour comprendre comment les clients utilisent nos services afin de pouvoir apporter des améliorations, et pour … Exhibitions. It has been our aim to record all such details, but there are almost certainly omissions. Low-Res (621x842px) 0.26MB JPG; High-Res (2587x3508px) 8.64MB JPG; Low-Res Watermark (621x842px) 0.27MB JPG; Master (4755x6447px) 101.27MB TIF; Restrictions. 31, 94, 271; ill. No. In the past most of Bacon’s paintings have been described as ‘oil on canvas’. ', 'Art and Artists: James Tissot Vulgar Society', 'Art attack: Portrait of Bacon's violent lover for auction', 'Art in London: Paintings, Pleasant and Unpleasant: Francis Bacon Studies', 'Art news from Los Angeles: Bacon, Bloom; Los Angeles group', 'Art, death and immortality over a naked lunch’, 'Artist of bleak vision, composer of mystical faith', 'At $142.4 Million, Triptych Is the Most Expensive Artwork Ever Sold at an Auction', 'Bacon 'blackmailed' by art gallery owner, court is told in dispute over £100m fees', 'Bacon and Bourgeois Save the Biennale: But Leave the Olive in a Pickle', 'Bacon and Giacometti: Likeness and Difference', 'Bacon and Moore again in Powerful Relation', 'Bacon estate is 'trying it on' court is told', 'Bacon film hit by dispute over who owns artist's words', 'Bacon gave secret $4m to beloved banker', 'Bacon left his best friend an £11m fortune. Furthermore, for the ‘post-Alley’ years, 1963 to 1991, the titles established by Bacon and Marlborough Fine Art have been adopted consistently; for example, although Painting, 1980 (80-09) was exhibited in 1999 with the descriptive title Three Figures, One with a Shotgun, subsequent research has shown that its original title was Painting, and has been reverted to here. Francis Bacon', 'Art Stars and Plasters on the Wounds: Why Have There Been No Great Irish Artists? Vous pouvez partager vos connaissances en l’améliorant (comment ?) in. Ogawa Ritsuo, around 1730 [2309x1440] sea. Jun 14, 2012 - This Pin was discovered by Brandon Geurts. He created in Expressionism, Surrealism and Cubism. Metropolitan Museum Of Art Bacon Art Francis Bacon Art Figures Artwork Bacon Art Francis Bacon Art Figures Artwork Other paintings with this suffix in the present catalogue were destroyed by Bacon but had been exhibited publicly before he did so; since images of them are accessible in catalogues, they have been included for the sake of completeness. Exhibitions. 2 of Lying Figure with Hypodermic Syringe, Étude d'après le portrait du pape Innocent X par Velázquez, Trois études de figures au pied d'une crucifixion, Triptych inspired by T.S Elliot's 'Sweeney Agonistes', Two Figures Lying on a bed with Attendants, After Muybridge - Study of the Human Figure in Motion - Woman Emptying a Bowl of Water, Three Studies for a Portrait of George Dyer, Double Portrait of Lucian Freud and Frank Auerbach, Three Studies for a Portrait of Lucian Freud, Portrait of Lucian Freud (on Orange Couch), Three Studies for a Portrait of Peter Beard, Three Studies for a Portrait of Henrietta Moraes, Three Studies for the Head of Isabel Rawsthorne, Portrait of Isabel Rawsthorne Standing in a Street in Soho, Three Studies of Henrietta Moraes laughing, Study for a Self-Portrait—Triptych, 1985–86, https://fr.wikipedia.org/w/index.php?title=Head_I&oldid=155490643, Article contenant un appel à traduction en allemand, Portail:Époque contemporaine/Articles liés, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Collection. After 1969, Bacon titled, signed and dated, on the reverse of the canvas, a majority of his paintings: before that date he only did so intermittently. Painted summer 1962 . ‘I am working on 3 sketches of the Velasquez portrait Pope Innocent II [sic]’, he wrote to Graham Sutherland on 19 October. 1986. Discover (and save!) Francis Bacon, London 2005, p. 14). The five works Bacon included in his first exhibition, in 1930, all had specific titles. Head. Head I is a relatively small oil and tempera on hardboard painting by the Irish-born British figurative artist Francis Bacon. While every effort has been made to include these details, until paintings are examined (and ideally scientifically tested) with the glass removed, the descriptions of media will inevitably be incomplete. 22 May. Alley 194. PERMISSION REQUIRED: We will need to seek approval from the artist’s estate before the high-resolution file can be released. Head I | Francis Bacon. Alley 20. © The Estate of Francis Bacon. with the Sainsbury Centre for Visual Arts, Francis Bacon: Studies for a Portrait: Essays and Interviews, New Haven and London: Yale University Press, pp. approx. 17, p. 32; p. 102, Francis Bacon - New Studies: Centenary Essays, Rome: Galleria Borghese Some of the titles initially given to them have been revised here; for example, ‘Figures in a Landscape’, c.1956 (56-11) has been substituted for ‘Two Figures in the Grass’, which is more logical in view of its relationship with Figures in a Landscape, 1956-57 (57-01). Dec 2, 2016 - Francis Bacon was an Irish-born British painter, known for his raw, emotionally charged images. In the present catalogue the titles of paintings dating from 1929 and 1930 follow those adopted by Alley, but they have been placed within inverted commas since it is highly unlikely that Bacon titled them as they are, by their media; (Alley had to negotiate Bacon’s indifference – or hostility – towards his pre-1944 œuvre). 7 Feb. 1986-31 Mar. 4 Jun. Specific Date and Location. 14, p. 41 (b&w), Edinburgh: Scottish National Gallery of Modern Art (103 x 75 cm) Oil on canvas, mounted on board. {{selectedLanguage.Name}} Se connecter Déconnexion Forty such canvasses, found in Bacon’s studio after he died, are now in Dublin City Gallery The Hugh Lane. (41 x 42.5 cm) irregular Further Details . Doubtless Bacon cut the canvasses so as to leave the stretchers intact for … Head I. With Todd Grundy, Scott King, David Thomas, Brett McIntyre. *** Please read all listing information, including sizing information as we do not accept returns or exchanges. 2 Oct. 2009-24 Jan. 2010, Dublin: Dublin City Gallery The Hugh Lane 24 May. It shows a bust view of a single figure, modeled on Diego Velázquez's Portrait of Innocent X. Bacon applies forceful, expressive brush strokes, and places the figure within a glass cage structure, behind curtain-like drapery. Alley 205. with Thames & Hudson, New York: Harry N. Abrams, pp. Alley numbers, for example (Alley 106), are those assigned to each painting in the first catalogue raisonné, Ronald Alley and John Rothenstein, Francis Bacon (London: Thames & Hudson; New York: Viking Press, 1964). Rain, Gustave Caillebotte, 1875 [ 1179 x 1600 ] Rain his 'self-portrait ' web browser with Grundy! Lane, pp Hugh Lane, pp 1993-10 Oct. 1993, francis Bacon: and! 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